What are the 7 levels of tension in drama?

What are the 7 levels of tension in drama?

Seven Levels of Tension

  • Exhausted or catatonic. The Jellyfish.
  • Laid back – the “Californian” (soap opera).
  • Neutral or the “Economic” (contemporary dance).
  • Alert or Curious (farce).
  • Suspense or the Reactive (19th century melodrama).
  • Passionate (opera).
  • Tragic (end of King Lear when Lear is holding Cordelia in his arms).

What are the three principal skills Jacques Lecoq encouraged in his students?

Three of the principal skills that he encouraged in his students were le jeu (playfulness), complicité (togetherness) and disponibilité (openness). The French concept of ‘efficace’ suggesting at once efficiency and effectiveness of movement was highly emphasized by Lecoq.

What’s a freeze frame in drama?

stimulate the next part of the drama. Freeze-frame. A freeze-frame is a form of still image that is achieved by simply freezing action. Pedantically speaking, it provides a still image that is not pre-planned and can be likened to pressing a pause button to halt a film clip.

What is Proxemics in drama?

Proxemics is the use of space/distance between characters on stage. This can represent the relationship between characters.

What is Stanislavski method of physical action?

Stanislavski’s System proposed that a series of physical actions arranged in sequential order would trigger the necessary emotions in an actor’s performance. These emotions were based in the unconscious (or subconscious) and could not otherwise directly come to surface when needed.

Why did Jacques Lecoq use masks?

Lecoq saw the mask as a tool to distance the actor from a false naturalism, allowing them to explore the grotesque or the real. The core was that the performer was to remain conscious of their very nature that they were performing.

What techniques did Jacques Lecoq use?

One of the great techniques for actors, Jacques Lecoq’s method focuses on physicality and movement. Lecoq himself believed in the importance of freedom and creativity from his students, giving an actor the confidence to creatively express themselves, rather than being bogged down by stringent rules.

How can I start out with Lecoq as an actor?

Starting out with Lecoq as an actor 1 Using body tension, tempo and rhythm. Keep balancing the space, keep your energy up – It’s about that instinct inside us [to move]. 2 Energising the space. Any space we go into influences us – the way we walk, move. 3 Trying not to self-police. Really try not to self-police – don’t beat yourself up!

How did Lecoq influence the development of physical theatre?

Many theatre reformers continue to influence and encourage a “second wave” of physical theatre development, one of which Lecoq was a part of, in both direct and indirect ways (Marshall 2002). Murray (2003) writes that the “world theatre lost one of its most imaginative, influential and pioneering thinkersand teachers” when Lecoq died.

Who is Jacques Lecoq?

Jacques Lecoq, (Born Paris, December 15, 1921 – January 19, 1999) was a French actor, mime and acting instructor (Wikipediaorg, 2016).