Who coined the term seconda Prattica?
Who coined the term seconda Prattica?
The term “Seconda pratica” first appeared in 1603 in Giovanni Artusi’s book Seconda Parte dell’Artusi, overo Delle imperfettioni della moderna musica (The Second Part of The Artusi, or Imperfections of Modern Music), where it is attributed to a certain L’Ottuso Accademico.
What does seconda Prattica usually refer to in the Baroque era?
1. What are the differences between prima prattica and seconda prattica? Term coined in the early 17th century to describe an older attitude toward text setting in which the projection of a sung text was subordinated to the established conventions of good counterpoint.
What is prima Pratica?
Prima pratica (Italian, ‘first practice’) refers to early Baroque music which looks more to the style of Palestrina, or the style codified by Gioseffo Zarlino, than to more “modern” styles. It is contrasted with seconda pratica music. These terms are synonymous to stile antico and stile moderno, respectively.
What does Stile Antico mean in music?
Definition of stile antico : the standard polyphonic style of 16th-century church music especially as employed in the 17th century Most Spanish composers defended the purity and aptness of the stile antico for sacred texts.—
What did Monteverdi do in Venice?
Venice, the perfect setting Born in the ancient Lombard city of Cremona, by 1592 Monteverdi was working as a musician at the highly cultured court in Mantua. Here he spent twenty years in the service of the Gonzaga family.
Which of the following composers was part of the seconda Prattica?
The term “Seconda prattica” was coined by Claudio Monteverdi to distance his music from that of e.g. Giovanni Pierluigi da Palestrina and Gioseffo Zarlino and describes early music of the Baroque period which encouraged more freedom from the rigorous limitations of dissonances and counterpoint characteristic of the …
What era is stile antico?
history of Baroque music One, the prima prattica (or stile antico), was the universal style of the 16th century, the culmination of two centuries of adherence to Flemish models. The other, called seconda prattica, or stile moderno, referred to the new theatrical style emanating from Italy.